{"id":1746,"date":"2006-11-14T10:03:41","date_gmt":"2006-11-14T10:03:41","guid":{"rendered":"http:\/\/amrani.cc\/wp\/?p=1746"},"modified":"2006-11-14T10:03:41","modified_gmt":"2006-11-14T10:03:41","slug":"2006-11-14-rumsfeld-immortalized-html","status":"publish","type":"post","link":"http:\/\/amrani.cc\/wp\/?p=1746","title":{"rendered":"Rumsfeld immortalized"},"content":{"rendered":"<div data-src=\"v5\">Portrait of Donald Rumsfeld by Iraqi artist Moayyed Mohsen (see below for the back story):<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/s3.media.squarespace.com\/production\/92960\/5627479\/images\/rumsfeld-tm.jpg\"\/><\/p>\n<blockquote><p><strong>Iraqi artist paints Rumsfeld gloating over ruins of Iraq<br \/><\/strong><br \/>by Asaad Abboud<\/p>\n<p>BAGHDAD, Nov 14, 2006 (AFP) &#8211; Moayyed Mohsen likes to paint great figures from Iraq&#8217;s past like the mythical hero Gilgamesh. But this year he turned his talents to another larger-than-life subject in his country&#8217;s history &#8212; Donald Rumsfeld.<\/p>\n<p>Dominating the wall of a Baghdad art gallery in the Sunni neighborhood of Adhamiyah is a massive mural that is no tribute to the outgoing US defense secretary.<\/p>\n<p>Rumsfeld is depicted leaning back reading papers, with combat-boot-clad feet propped up on a ruined building. Beside him is a weathered image of the Lion of Babylon &#8212; potent symbol of Iraq&#8217;s illustrious past &#8212; atop a ruined plinth. The US official is surrounded by whirling bits of paper that morph into birds and fly off into the distance.<\/p>\n<p>The artist&#8217;s image is striking and it was conceived in anger &#8212; not just over the occupation of Iraq but also over what Mohsen sees as the humiliation of a nation that once taught mankind how to write.<\/p><\/blockquote>\n<p>Thanks, Paul!<br \/><!--more--><\/p>\n<blockquote><p>&#8220;I long wondered if I could somehow find a way to concisely express my own and everyone else&#8217;s concerns about the war and Iraq,&#8221; the artist told AFP from his home in Hilla, the capital of Babil province south of Baghdad.<\/p>\n<p>&#8220;When I painted this, I felt I wanted to talk to Rumsfeld, to know why we got into this situation,&#8221; he said, saying the one meter by a meter and a half (3.3 by 4.9 feet) painting took three months to complete.<\/p>\n<p>More than any other official, the controversial Rumsfeld came to symbolize the US intervention in Iraq as one of the main architects of the invasion and subsequent occupation.<\/p>\n<p>His resignation on November 8 &#8212; the first casualty of the Republican defeat in mid-term congressional elections last week &#8212; met with almost universal acclaim across Iraq&#8217;s divided communities, who seem to agree on little else than the situation in their war-ravaged country is getting worse by the day.<\/p>\n<p>Many Iraqis feel the US defense secretary&#8217;s handling of the war showed arrogance and disdain for their country &#8212; tellingly symbolized by his famous quip that &#8220;stuff happens&#8221; when asked to comment on the looting of Baghdad, including its museum, in the invasion&#8217;s aftermath.<\/p>\n<p>Mohsen, who loves reading American magazines, said his model was a photograph he found of Rumsfeld. &#8220;The way he sat was very strange to us here in the East &#8212; it is an insult to those around,&#8221; he said.<\/p>\n<p>In the Middle East, showing the soles of one&#8217;s feet is considered very poor manners, so the Rumsfeld in the painting automatically offends the viewer.<\/p>\n<p>The Lion of Babel atop a ruined perch sends another message.<\/p>\n<p>&#8220;I decided to make the base of the statue a bookcase containing volumes on the arts, literature and knowledge left by Iraqis,&#8221; he said. &#8220;Then I destroyed the base to symbolize the repeated wars and showed the papers flying through the air and changing into white birds showing love and peace to the world.&#8221;<\/p>\n<p>By juxtaposing his subject with ancient monuments, Mohsen sought to pit the endurance of history against the fleeting nature of man &#8212; an apt visual statement, it turned out, in light of Rumsfeld&#8217;s resignation.<\/p>\n<p>&#8220;The lion is a long-lived symbol expressing creativity and sublime artistic work in Mesopotamia, while the person is modern and fleeting and will end one day.&#8221;<\/p>\n<p>Mohsen, who is in his 50s and rarely leaves his home in Hilla these days, said he likes to mix past and present to provoke viewers and make them think.<\/p>\n<p>Art in the service of politics has a lengthy history in Iraq, especially under deposed dictator Saddam Hussein whose cult portraits as everything from warrior, to Bedouin leader to camera-toting tourist once adorned all parts of the country.<\/p>\n<p>Mohsen maintains that he never painted images of Saddam, and said he now makes a living doing portraits.<\/p>\n<p>Although the Rumsfeld painting currently hangs in a Baghdad gallery, owner Qassem al-Sebti said he has put it up for sale through a New York gallery. He boasts that the US embassy here once offered him 35,000 dollars (27,000 euros) for it but he refused, a claim that could not be substantiated.<\/p>\n<p>&#8220;We thought we could get a better price for it in the US,&#8221; al-Sebti said.<\/p><\/blockquote>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<div data-src=\"v5\">Portrait of Donald Rumsfeld by Iraqi artist Moayyed Mohsen (see below for the back story):<br \/>\n<img decoding=\"async\" src=\"http:\/\/s3.media.squarespace.com\/production\/92960\/5627479\/images\/rumsfeld-tm.jpg\"\/><\/p>\n<blockquote><p><strong>Iraqi artist paints Rumsfeld gloating over ruins of Iraq<br \/>\n<\/strong><br \/>\nby Asaad Abboud<br \/>\nBAGHDAD, Nov 14, 2006 (AFP) &#8211; Moayyed Mohsen likes to paint great figures from Iraq&#8217;s past like the mythical hero Gilgamesh. But this year he turned his talents to another larger-than-life subject in his country&#8217;s history &#8212; Donald Rumsfeld.<br \/>\nDominating the wall of a Baghdad art gallery in the Sunni neighborhood of Adhamiyah is a massive mural that is no tribute to the outgoing US defense secretary.<br \/>\nRumsfeld is depicted leaning back reading papers, with combat-boot-clad feet propped up on a ruined building. Beside him is a weathered image of the Lion of Babylon &#8212; potent symbol of Iraq&#8217;s illustrious past &#8212; atop a ruined plinth. The US official is surrounded by whirling bits of paper that morph into birds and fly off into the distance.<br \/>\nThe artist&#8217;s image is striking and it was conceived in anger &#8212; not just over the occupation of Iraq but also over what Mohsen sees as the humiliation of a nation that once taught mankind how to write.<\/p><\/blockquote>\n<p>Thanks, Paul!<br \/>\n<!--more--><\/p>\n<blockquote><p>&#8220;I long wondered if I could somehow find a way to concisely express my own and everyone else&#8217;s concerns about the war and Iraq,&#8221; the artist told AFP from his home in Hilla, the capital of Babil province south of Baghdad.<br \/>\n&#8220;When I painted this, I felt I wanted to talk to Rumsfeld, to know why we got into this situation,&#8221; he said, saying the one meter by a meter and a half (3.3 by 4.9 feet) painting took three months to complete.<br \/>\nMore than any other official, the controversial Rumsfeld came to symbolize the US intervention in Iraq as one of the main architects of the invasion and subsequent occupation.<br \/>\nHis resignation on November 8 &#8212; the first casualty of the Republican defeat in mid-term congressional elections last week &#8212; met with almost universal acclaim across Iraq&#8217;s divided communities, who seem to agree on little else than the situation in their war-ravaged country is getting worse by the day.<br \/>\nMany Iraqis feel the US defense secretary&#8217;s handling of the war showed arrogance and disdain for their country &#8212; tellingly symbolized by his famous quip that &#8220;stuff happens&#8221; when asked to comment on the looting of Baghdad, including its museum, in the invasion&#8217;s aftermath.<br \/>\nMohsen, who loves reading American magazines, said his model was a photograph he found of Rumsfeld. &#8220;The way he sat was very strange to us here in the East &#8212; it is an insult to those around,&#8221; he said.<br \/>\nIn the Middle East, showing the soles of one&#8217;s feet is considered very poor manners, so the Rumsfeld in the painting automatically offends the viewer.<br \/>\nThe Lion of Babel atop a ruined perch sends another message.<br \/>\n&#8220;I decided to make the base of the statue a bookcase containing volumes on the arts, literature and knowledge left by Iraqis,&#8221; he said. &#8220;Then I destroyed the base to symbolize the repeated wars and showed the papers flying through the air and changing into white birds showing love and peace to the world.&#8221;<br \/>\nBy juxtaposing his subject with ancient monuments, Mohsen sought to pit the endurance of history against the fleeting nature of man &#8212; an apt visual statement, it turned out, in light of Rumsfeld&#8217;s resignation.<br \/>\n&#8220;The lion is a long-lived symbol expressing creativity and sublime artistic work in Mesopotamia, while the person is modern and fleeting and will end one day.&#8221;<br \/>\nMohsen, who is in his 50s and rarely leaves his home in Hilla these days, said he likes to mix past and present to provoke viewers and make them think.<br \/>\nArt in the service of politics has a lengthy history in Iraq, especially under deposed dictator Saddam Hussein whose cult portraits as everything from warrior, to Bedouin leader to camera-toting tourist once adorned all parts of the country.<br \/>\nMohsen maintains that he never painted images of Saddam, and said he now makes a living doing portraits.<br \/>\nAlthough the Rumsfeld painting currently hangs in a Baghdad gallery, owner Qassem al-Sebti said he has put it up for sale through a New York gallery. He boasts that the US embassy here once offered him 35,000 dollars (27,000 euros) for it but he refused, a claim that could not be substantiated.<br \/>\n&#8220;We thought we could get a better price for it in the US,&#8221; al-Sebti said.<\/p><\/blockquote>\n<\/div>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[4],"tags":[102,26],"_links":{"self":[{"href":"http:\/\/amrani.cc\/wp\/index.php?rest_route=\/wp\/v2\/posts\/1746"}],"collection":[{"href":"http:\/\/amrani.cc\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/amrani.cc\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/amrani.cc\/wp\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/amrani.cc\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1746"}],"version-history":[{"count":0,"href":"http:\/\/amrani.cc\/wp\/index.php?rest_route=\/wp\/v2\/posts\/1746\/revisions"}],"wp:attachment":[{"href":"http:\/\/amrani.cc\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1746"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/amrani.cc\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1746"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/amrani.cc\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1746"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}