{"id":1761,"date":"2006-11-17T23:57:49","date_gmt":"2006-11-17T23:57:49","guid":{"rendered":"http:\/\/amrani.cc\/wp\/?p=1761"},"modified":"2006-11-17T23:57:49","modified_gmt":"2006-11-17T23:57:49","slug":"2006-11-17-abu-ghraib-art-html","status":"publish","type":"post","link":"http:\/\/amrani.cc\/wp\/?p=1761","title":{"rendered":"Abu Ghraib art"},"content":{"rendered":"<div data-src=\"v5\">After <a href=\"\/www.moorishgirl.com\">Moorishgirl<\/a> mentioned this <a href=\"http:\/\/www.marlboroughgallery.com\/artists\/botero\/artwork.html\">show<\/a> in New York by Colombian artist Fernando Botero, I went there this afternoon.<\/p>\n<p>Although I gather that Botero&#8217;s art is viewed as rather overr-rated and unsophisticated by many art critics, this show was well-reviewed in the <a href=\"http:\/\/www.thenation.com\/doc\/20061127\/danto\">Nation<\/a> and <a href=\"http:\/\/www.nytimes.com\/2006\/11\/15\/arts\/design\/15chan.html?ref=design\">The New York Times.<\/a> In fact, the show has received a lot of attention, so much so that it&#8217;s been extended to November 21.<\/p>\n<p>My view may have been colored by the reviews I&#8217;d already read, but I found the show very affecting. Botero&#8217;s signature style of rendering the human body&#8211;slightly inflated, both monumental and toy-like&#8211;doesn&#8217;t make the figures less real. Rather, it somehow has the effect of making the figures more universal, more human&#8211;maybe because the lack of realism allows you to look, again, at what you&#8217;ve seen but not wanted to see before.<br \/>I think the Nation review is right-on with the observation that the show makes viewers relate to the Iraqis being tortured rather than the Americans doing the torture (they are only present as a boot, a gloved hand at the end of a leash, a stream of piss). Your attention is focused on the details of physical suffering: the tied hands, the knee being bitten by a dog, the blood. These works are about the essence of torture, the physical humiliation and suffering of the human body, and they&#8217;re very powerful.<\/p>\n<p>The art isn&#8217;t for sale. Botero says he hopes to donate it to a museum.<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"<div data-src=\"v5\">After <a href=\"\/www.moorishgirl.com\">Moorishgirl<\/a> mentioned this <a href=\"http:\/\/www.marlboroughgallery.com\/artists\/botero\/artwork.html\">show<\/a> in New York by Colombian artist Fernando Botero, I went there this afternoon.<br \/>\nAlthough I gather that Botero&#8217;s art is viewed as rather overr-rated and unsophisticated by many art critics, this show was well-reviewed in the <a href=\"http:\/\/www.thenation.com\/doc\/20061127\/danto\">Nation<\/a> and <a href=\"http:\/\/www.nytimes.com\/2006\/11\/15\/arts\/design\/15chan.html?ref=design\">The New York Times.<\/a> In fact, the show has received a lot of attention, so much so that it&#8217;s been extended to November 21.<br \/>\nMy view may have been colored by the reviews I&#8217;d already read, but I found the show very affecting. Botero&#8217;s signature style of rendering the human body&#8211;slightly inflated, both monumental and toy-like&#8211;doesn&#8217;t make the figures less real. Rather, it somehow has the effect of making the figures more universal, more human&#8211;maybe because the lack of realism allows you to look, again, at what you&#8217;ve seen but not wanted to see before.<br \/>\nI think the Nation review is right-on with the observation that the show makes viewers relate to the Iraqis being tortured rather than the Americans doing the torture (they are only present as a boot, a gloved hand at the end of a leash, a stream of piss). Your attention is focused on the details of physical suffering: the tied hands, the knee being bitten by a dog, the blood. These works are about the essence of torture, the physical humiliation and suffering of the human body, and they&#8217;re very powerful.<br \/>\nThe art isn&#8217;t for sale. Botero says he hopes to donate it to a museum.<\/div>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[4],"tags":[102,26],"_links":{"self":[{"href":"http:\/\/amrani.cc\/wp\/index.php?rest_route=\/wp\/v2\/posts\/1761"}],"collection":[{"href":"http:\/\/amrani.cc\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/amrani.cc\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/amrani.cc\/wp\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/amrani.cc\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1761"}],"version-history":[{"count":0,"href":"http:\/\/amrani.cc\/wp\/index.php?rest_route=\/wp\/v2\/posts\/1761\/revisions"}],"wp:attachment":[{"href":"http:\/\/amrani.cc\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1761"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/amrani.cc\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1761"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/amrani.cc\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1761"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}