{"id":2109,"date":"2007-04-02T03:22:28","date_gmt":"2007-04-02T03:22:28","guid":{"rendered":"http:\/\/amrani.cc\/wp\/?p=2109"},"modified":"2007-04-02T03:22:28","modified_gmt":"2007-04-02T03:22:28","slug":"2007-4-2-venice-and-the-middle-east-html","status":"publish","type":"post","link":"http:\/\/amrani.cc\/wp\/?p=2109","title":{"rendered":"Venice and the Middle East"},"content":{"rendered":"<div data-src=\"v5\">Yesterday I went to the Met to see <a href=\"http:\/\/www.metmuseum.org\/special\/se_event.asp?OccurrenceId=%7B2F178712-5011-4C93-8BE1-05845F1C62E6%7D\">this<\/a> exhibit on &#8220;Venice and the Islamic World.&#8221; While not perfect, the show was facinating. Did you know the first Koran was printed in Venice in 1537? Or that Venetians learned the art of glass-blowing from the Arab world, Syria in particular? <\/p>\n<p>There are many examples throughout the exhibition of the ways in which craftsmen in Venice and Muslim countries imitated each other&#8217;s work, competed, and at times produced strikingly similar objects. There are also examples of the kinds of luxury items (and I mean LUXURY: we&#8217;re talking robes embroidered with gold, linen boxes made of crystal) that Venetians traders brought to and from the Middle East. <\/p>\n<p>It was impossible not to think of these by-gone trade routes as terribly romantic and surprisingly cosmopolitan&#8211;the show reminded me of Amitav Gosh&#8217;s &#8220;<a href=\"http:\/\/www.amazon.com\/gp\/redirect.html%3FASIN=0679727833%26tag=cairocalling-20%26lcode=xm2%26cID=2025%26ccmID=165953%26location=\/o\/ASIN\/0679727833%253FSubscriptionId=02ZH6J1W0649DTNS6002\">In An Antique Land,<\/a>&#8221; a wonderful book that partly traces Gosh&#8217;s research into the Indian Ocean trade and into a family of Arab Jewish merchants who lived between Tunisia, Egypt and India (it also gives a wonderful portrait of Gosh&#8217;s life in a small Egyptian village).<\/p>\n<p>And although there wasn&#8217;t nearly enough Venetian painting in the show, the canvases, illuminated manuscripts and portraits (many Sultans commissioned Venetian painters to portray them), also reminded me of Orhan Pamuk&#8217;s &#8220;<a href=\"http:\/\/www.amazon.com\/gp\/redirect.html%3FASIN=0375706852%26tag=cairocalling-20%26lcode=xm2%26cID=2025%26ccmID=165953%26location=\/o\/ASIN\/0375706852%253FSubscriptionId=02ZH6J1W0649DTNS6002\">My Name is Red<\/a>,&#8221; a great novel that deals with the crisis in the world of Ottoman miniaturists provoked by the encounter with Renaissance painting.<\/div>\n","protected":false},"excerpt":{"rendered":"<div data-src=\"v5\">Yesterday I went to the Met to see <a href=\"http:\/\/www.metmuseum.org\/special\/se_event.asp?OccurrenceId=%7B2F178712-5011-4C93-8BE1-05845F1C62E6%7D\">this<\/a> exhibit on &#8220;Venice and the Islamic World.&#8221; While not perfect, the show was facinating. Did you know the first Koran was printed in Venice in 1537? Or that Venetians learned the art of glass-blowing from the Arab world, Syria in particular?<br \/>\nThere are many examples throughout the exhibition of the ways in which craftsmen in Venice and Muslim countries imitated each other&#8217;s work, competed, and at times produced strikingly similar objects. There are also examples of the kinds of luxury items (and I mean LUXURY: we&#8217;re talking robes embroidered with gold, linen boxes made of crystal) that Venetians traders brought to and from the Middle East.<br \/>\nIt was impossible not to think of these by-gone trade routes as terribly romantic and surprisingly cosmopolitan&#8211;the show reminded me of Amitav Gosh&#8217;s &#8220;<a href=\"http:\/\/www.amazon.com\/gp\/redirect.html%3FASIN=0679727833%26tag=cairocalling-20%26lcode=xm2%26cID=2025%26ccmID=165953%26location=\/o\/ASIN\/0679727833%253FSubscriptionId=02ZH6J1W0649DTNS6002\">In An Antique Land,<\/a>&#8221; a wonderful book that partly traces Gosh&#8217;s research into the Indian Ocean trade and into a family of Arab Jewish merchants who lived between Tunisia, Egypt and India (it also gives a wonderful portrait of Gosh&#8217;s life in a small Egyptian village).<br \/>\nAnd although there wasn&#8217;t nearly enough Venetian painting in the show, the canvases, illuminated manuscripts and portraits (many Sultans commissioned Venetian painters to portray them), also reminded me of Orhan Pamuk&#8217;s &#8220;<a href=\"http:\/\/www.amazon.com\/gp\/redirect.html%3FASIN=0375706852%26tag=cairocalling-20%26lcode=xm2%26cID=2025%26ccmID=165953%26location=\/o\/ASIN\/0375706852%253FSubscriptionId=02ZH6J1W0649DTNS6002\">My Name is Red<\/a>,&#8221; a great novel that deals with the crisis in the world of Ottoman miniaturists provoked by the encounter with Renaissance painting.<\/div>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[4],"tags":[102],"_links":{"self":[{"href":"http:\/\/amrani.cc\/wp\/index.php?rest_route=\/wp\/v2\/posts\/2109"}],"collection":[{"href":"http:\/\/amrani.cc\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/amrani.cc\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/amrani.cc\/wp\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/amrani.cc\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2109"}],"version-history":[{"count":0,"href":"http:\/\/amrani.cc\/wp\/index.php?rest_route=\/wp\/v2\/posts\/2109\/revisions"}],"wp:attachment":[{"href":"http:\/\/amrani.cc\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2109"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/amrani.cc\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2109"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/amrani.cc\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2109"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}