{"id":2579,"date":"2008-04-17T10:11:30","date_gmt":"2008-04-17T10:11:30","guid":{"rendered":"http:\/\/amrani.cc\/wp\/?p=2579"},"modified":"2008-04-17T10:11:30","modified_gmt":"2008-04-17T10:11:30","slug":"2008-4-17-london-palestine-film-festival-html","status":"publish","type":"post","link":"http:\/\/amrani.cc\/wp\/?p=2579","title":{"rendered":"London Palestine Film Festival"},"content":{"rendered":"
The Guardian<\/a> writes on the occasion of the London Palestine Film Festival:<\/a><\/p>\n

Perhaps Palestinian cinema cannot help but be ironic, when the most widely known cinematic images of Palestine are those that close Otto Preminger’s 1960 film Exodus and Steven Spielberg’s Schindler’s List. In Exodus, youthful Israeli forces win a decisive battle against the old-world savagery of Britain and Nazi Germany, before turning to fight the encroaching Arabs. In the Spielberg film, Holocaust survivors walk across a plain with Jerusalem in the background: a landscape that, given the location, can only be the Bethlehem wilderness. While Exodus reduces the life of the cities of pre-Israel Palestine to an image of marauding savages, Spielberg erases the local population entirely. These Hollywood histories depend upon their directors’ bullish confidence; Palestinian cinema, in contrast, is characterised by doubt and self-reflection.<\/p><\/blockquote>\n

This site<\/a> appears to be the official home of the festival, which is held at SOAS and the Barbican.<\/div>\n","protected":false},"excerpt":{"rendered":"

The Guardian<\/a> writes on the occasion of the London Palestine Film Festival:<\/a><\/p>\n

Perhaps Palestinian cinema cannot help but be ironic, when the most widely known cinematic images of Palestine are those that close Otto Preminger’s 1960 film Exodus and Steven Spielberg’s Schindler’s List. In Exodus, youthful Israeli forces win a decisive battle against the old-world savagery of Britain and Nazi Germany, before turning to fight the encroaching Arabs. In the Spielberg film, Holocaust survivors walk across a plain with Jerusalem in the background: a landscape that, given the location, can only be the Bethlehem wilderness. While Exodus reduces the life of the cities of pre-Israel Palestine to an image of marauding savages, Spielberg erases the local population entirely. These Hollywood histories depend upon their directors’ bullish confidence; Palestinian cinema, in contrast, is characterised by doubt and self-reflection.<\/p><\/blockquote>\n

This site<\/a> appears to be the official home of the festival, which is held at SOAS and the Barbican.<\/div>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[4],"tags":[229,102,59],"_links":{"self":[{"href":"http:\/\/amrani.cc\/wp\/index.php?rest_route=\/wp\/v2\/posts\/2579"}],"collection":[{"href":"http:\/\/amrani.cc\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/amrani.cc\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/amrani.cc\/wp\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/amrani.cc\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2579"}],"version-history":[{"count":0,"href":"http:\/\/amrani.cc\/wp\/index.php?rest_route=\/wp\/v2\/posts\/2579\/revisions"}],"wp:attachment":[{"href":"http:\/\/amrani.cc\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2579"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/amrani.cc\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2579"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/amrani.cc\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2579"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}