Abu Ghraib art

After Moorishgirl mentioned this show in New York by Colombian artist Fernando Botero, I went there this afternoon.

Although I gather that Botero’s art is viewed as rather overr-rated and unsophisticated by many art critics, this show was well-reviewed in the Nation and The New York Times. In fact, the show has received a lot of attention, so much so that it’s been extended to November 21.

My view may have been colored by the reviews I’d already read, but I found the show very affecting. Botero’s signature style of rendering the human body–slightly inflated, both monumental and toy-like–doesn’t make the figures less real. Rather, it somehow has the effect of making the figures more universal, more human–maybe because the lack of realism allows you to look, again, at what you’ve seen but not wanted to see before.
I think the Nation review is right-on with the observation that the show makes viewers relate to the Iraqis being tortured rather than the Americans doing the torture (they are only present as a boot, a gloved hand at the end of a leash, a stream of piss). Your attention is focused on the details of physical suffering: the tied hands, the knee being bitten by a dog, the blood. These works are about the essence of torture, the physical humiliation and suffering of the human body, and they’re very powerful.

The art isn’t for sale. Botero says he hopes to donate it to a museum.

Rumsfeld immortalized

Portrait of Donald Rumsfeld by Iraqi artist Moayyed Mohsen (see below for the back story):

Iraqi artist paints Rumsfeld gloating over ruins of Iraq

by Asaad Abboud

BAGHDAD, Nov 14, 2006 (AFP) – Moayyed Mohsen likes to paint great figures from Iraq’s past like the mythical hero Gilgamesh. But this year he turned his talents to another larger-than-life subject in his country’s history — Donald Rumsfeld.

Dominating the wall of a Baghdad art gallery in the Sunni neighborhood of Adhamiyah is a massive mural that is no tribute to the outgoing US defense secretary.

Rumsfeld is depicted leaning back reading papers, with combat-boot-clad feet propped up on a ruined building. Beside him is a weathered image of the Lion of Babylon — potent symbol of Iraq’s illustrious past — atop a ruined plinth. The US official is surrounded by whirling bits of paper that morph into birds and fly off into the distance.

The artist’s image is striking and it was conceived in anger — not just over the occupation of Iraq but also over what Mohsen sees as the humiliation of a nation that once taught mankind how to write.

Thanks, Paul!
Continue reading Rumsfeld immortalized

Irwin vs. Said

Confession: I am a huge fan of Robert Irwin, the very erudite Middle East editor of the Times Literary Supplement. Not because I know him or have worked for him (I wish!), although in this small word of Middle East journalism and commentariat I obviously know plenty of people who do. (They say he’s nice.)

I like Irwin mostly because of two books of his that I count, in their respective categories, as some of the best I’ve ever read. The Arabian Nightmare is dark, trippy fantasy written in the style of Edgar Allan Poe (if he had been an arabist and on acid), while his The Arabian Nights: A Companion is an indispensable guide to any serious lover of the Nights. Both are written in a rather difficult prose, and the second can be especially tough in parts, but they are very rewarding if you put the time and effort into them.

His latest work, Dangerous Knowledge: Orientalism and Its Discontents, appears to be more in line with the second. It is a basically academic text on the Orientalist tradition in Western letters, focusing mostly on the British, French and German in the fields. As anyone who has done Middle Eastern Studies or dabled in the field at all, these early Orientalists, who were often wonderfully eccentric characters who produced very serious scholarship, are now mostly known for their reputation as agents of empire than their work. Irwin apparently attempts to restore their reputation and refute the idea that these men are inherently suspicious because of their (possible) association with colonialism in the last three or four centuries.

From what I’ve been able to put together from the three reviews that I’ve seen so far — one new but predictably second-rate in the NYT, an excellent one from May by the ubiquitous Christopher de Bellaigue in the Times Literary Supplement and an equally excellent and more critical one in the London Review of Books back in June — the book tells the story of the Orientalists, their lives, their manias, their unusual lifestyle choices. But the big controversy about the book is that it takes on Edward Said’s Orientalism in one of its final chapters, attacking its many mistakes and, more generally, Said’s (alleged) unfounded political agenda in giving the orientalists a bad name. The reviews argue Irwin makes a convincing case that Said was at least partly wrong, but doesn’t really address the links between imperialism and colonialism or quite deliver the fatal blow to the theoretical behemoth that Orientalism has become.

I won’t say anymore until I get hold of a copy of the book (and re-read the relevant passages of Orientalism — by the way, while I admired Said’s advocacy work, I was never a big fan of his most of his (sometimes stultifying) writing style or the amount of political bile he could work up against people who didn’t really deserve it. But I know I would look forward to any book by Irwin, and can’t wait to read this one.

Buy it from the link below (or any of the links above) and arabist.net gets a cut!

“Dangerous Knowledge: Orientalism and Its Discontents” (Robert Irwin)

Hassan el-Banna Super Star?

I’m away from the computer for sometime because of IT problems and work commitments. Happy Eid to all of you…
When you get the time please check out the following feature I co-authored with Al-Masry Al-Youm’s Ali Zalat, on the Muslim Brotherhood’s plans to produce a movie about its founder, Hassan el-Banna.

Hassan el-Banna Super Star?

The feature was co-written back on 13 October, but only went online two days ago.
I have also uploaded to my flickr account some historical photos of el-Banna, that we obtained from the Brotherhood.

Click to view slideshow

The Cairo Trilogy on BBC Radio

A big thank you to reader Marwa for alerting me to a BBC Radio rendition of Naguib Mahfouz’s Cairo Trilogy, featuring the great Omar Sharif and my friend Ihab Sakkout (he’s also great):

The Cairo Trilogy, part 1 of 3

By Naguib Mahfouz, dramatised by Ayeesha Menon

Al-Sayyid Ahmad Abd al-Jawab, a prosperous shopkeeper, is a tyrant at home who terrorises his wife and two daughters and keeps them in strict seclusion behind the house’s latticed windows. But outside the home he is a serial womaniser with an appetite for plump, middle-aged singers.

The First World War is ending, and then there is a popular uprising in March 1919, when the eldest son Fahmy joins the nationalist cause.

Recorded entirely in Cairo.

Old Kamal …… Omar Sharif
Young Kamal …… Karim Fouda
Al-Sayyid Ahmad Abd al-Jawab …… Ihab Sakkout
Amina …… Caroline Khalil
Fahmy …… Mena Reda
Yasin …… Tamer Nasrat
Miriam …… Ola Roshdy

Music by Sacha Puttnam; producer/director John Dryden.

I’ll try to record them and post them for iPod enjoyment.

Update: 68MB MP3 file available here. Not great quality, unfortunately. Min babak?

Jordan to get film school

The diversity of attempts to normalize relations between Israel and Arab states always astounds me:

The Red Sea Institute of Cinematic Arts is in line with His Majesty’s efforts to harness the skills of Jordanian youth by exposing them to the latest technologies in filmmaking and production. The institute would also contribute to His Majesty’s vision of establishing a hub for intellectual and creative capital in Jordan, where youth in the region can be equipped with the necessary tools for success.

His Majesty drew on the expertise of filmmaker Steven Spielberg, who recommended the partnership with USC, to make this project a reality.

“When His Majesty the King approached me on the subject of a Jordan-based, world-class film school serving every country in the Middle East, including Israel, I immediately saw the importance and significance of such a venture for the people and the future of the region.

I have no doubt that films schools in the Arab world are an excellent idea, especially considering the decline of Arab cinema over the last 50 years (especially technically – new movies use cheap film that produces horrible results compared to ones from the 1950s that still look splendid). But why do it with Israel? His Majesty King PS2 once again does his eager Uncle Tom routine.

The Nobel Lit prize

I’m not a great fan of the Nobel literature (or peace) prize — I think some of their choices have been rather doubtful over the years — but some wonder if this year will see a Middle Eastern writer win. There’s certainly no shortage of possible candidates, as Moorishgirl writes:

Once again this year, there is mention of Mahmoud Darwish and Adunis, but I don’t think it will go to them. (Why the academy has never selected an Arab poet is beyond me.) Michael thinks that Orhan Pamuk is too young, at 54, to get the prize. But Gabriel García Márquez was 54 when he got his. Plus, Pamuk has had a great year and with Turkey in the news over its ridiculous censorship law, that might just tilt the judges’ votes in his favor.

I don’t think Pamuk should get it either. I’m not a great fan of poetry generally (my loss, it’s just I don’t quite appreciate it, especially since my Arabic is not good enough to appreciate poetic constructions in the original) but Darwish or Adonis certainly have the right stature, even if I wish my favorite Arab poet, the Iraqi Abdul Wahab Al Bayati, were alive to claim one. There are Arab novelists who would be worthy, too, although some of the most worthy (e.g. Abdel Rahman Mounif) are now dead. On another note altogether, I don’t think they should reward Middle Easterners only because it’s the topic of the moment. How about a science fiction writer? Or a detective novel writer? Surely if they were alive Georges Simenon, Arthur Conan Doyle, H.G. Wells or Isaac Asimov would be worthy of inclusion.

Still, a Lebanese or Palestinian recipient would certainly be nice if only that it would draw attention to those countries’ plight.