Links for November 29th

Automatically posted links for November 29th:

Links for November 28th

Automatically posted links for November 27-28th:

Politics according to Ibn Khaldun

From Scott Horton’s very erudite blog at Harpers:

Rembrandt Harmensz. van Rijn, Ibn Khaldūn Meets Sultan al-Narir, ink drawing (ca. 1650)

“Politics is the ordering of the household or the city as they ought to be according to the requirements of ethics and wisdom so that the multitude could be made to follow a path leading to the protection and preservation of the species.”

– Abū Zayd ‘Abdu r-Rahman bin Muhammad bin Khaldūn (ابو زيد عبد الرحمن بن محمد بن خلدون), Muqaddimat (مقدّمة ابن خلدون) i, 62 (1377 CE)(M. Mahdi transl. 1957)

Links for November 24th

Automatically posted links for November 24th:

Lalami: Beyond the Veil

Beyond the Veil:

When the French government invaded Algeria, in 1830, it started a vast campaign of military “pacification,” which was quickly followed by the imposition of French laws deemed necessary for the civilizing mission to succeed. Women were crucial to that enterprise. In articles, stories and novels of the day, Algerian women were universally depicted as oppressed, and so in order for civilization truly to penetrate Algeria, the argument went, the women had to cast off their veils. General Bugeaud, who was charged with administering the territory in the 1840s, declared, “The Arabs elude us because they conceal their women from our gaze.” Algerian men, meanwhile, were perceived to be sexual predators who could not control their urges unless their womenfolk were draped in veils. Colonization would solve this by bringing the light of European civilization to Arab males, who, after a few generations of French rule, would learn to control their urges. The governor-general of Algeria remarked in 1898 that “the Arab man’s, the native Jew’s and the Arab woman’s physiology, as well as tolerance for pederasty, and typically oriental ways of procreating and relating to one another are so different from the European man’s that it is necessary to take appropriate measures.” As late as 1958, French wives of military officers, desperate to stop support for the FLN, which spearheaded the war of liberation against France, staged a symbolic “unveiling” of Algerian women at a pro-France rally in the capital of Algiers.

Decades later, millions of French citizens with ancestral roots in North Africa are being told much the same thing: in order to be French, they must “integrate” by giving up that which makes them different–Islam. The religion, however, is not regarded as a set of beliefs that adherents can adjust to suit the demands of their everyday lives but rather as an innate and unbridgeable attribute. It is easy to see how racism can take hold in such a context. During the foulard controversies, it did not appear to matter that 95 percent of French Muslims do not attend mosque, that more than 80 percent of Muslim women in France do not wear the headscarf or even that the number of schoolgirls in headscarves has never been more than a few hundred. The racist notion of innate differences between French citizens of North African origin and those of European origin defined the debate. For instance, the Lévy sisters were sometimes referred to in the press as Alma and Lila Lévy-Omari, thus making their ancestral link to North Africa (on their mother’s side) clearer to the reader.

Do read more of Leila Lalami’s excellent review of The Politics of the Veil, but the point highlighted above as always struck me as extremely important. Unfortunately, French authorities — notably Nicolas Sarkozy when he was minister of the interior — have chosen to empower religious fundamentalists and depict them as representative of the Muslim community at large.

Cairo: The Graphic Novel

Our friend and former Cairo mag contributor G. Willow Wilson has released her graphic novel, Cairo, and NPR interviewed her about it. Here’s the blurb from the book:

Journalist G. Willow Wilson brings an extraordinary fable to Vertigo in October with CAIRO, an original graphic novel illustrated by Turkish artist M.K. Perker, himself a contributor to The New York Times and The New Yorker. Set in bustling modern-day Cairo, this magical-realism thriller interweaves the lives of a drug runner, a down-on-his-luck journalist, an American expatriate, a young activist, an Israeli soldier, and a genie as they navigate the city’s streets and spiritual underworld to find a stolen hooka sought by a wrathful gangster-magician.

She talks a little bit about being a journalist in Cairo, notably for the opposition press.

Cairo1 420

Alaa al-Aswani in Le Monde

Readers may be interested in reading this profile of Egyptian novelist Alaa al-Aswani from last week’s Le Mondes des Livres, accompanied by a review of the recently launched French edition of his last novel, Chicago.
We had mentioned Chicago when it came out earlier this year, while Baheyya had reviewed it.

Click on the image below to download the PDF.

Lemonde Aswani

Update: More al-Aswani goodness over at Fustat.

Audio: Classic VOA interviews

The US Embassy recently produced a CD of old interviews from the Voice of America Arabic service archives. (VOA Arabic was canceled a while ago, to be replaced by the much-criticized, pop-heavy Radio Sawa). The interviews — of major Egyptian writers, artists, singers such as Naguib Mahfouz, Mohamed Abdel Wahab and Tahia Carioca — are also available online. I haven’t had a chance to hear more than the opening minutes of the Mahfouz interview, but I look forward to furthering my Mahfouz obsession by listening to the whole thing soon. In general, it’s nice to see the US Embassy support a cultural initiative like this.

Hammond on Saudi Arabia’s media empire

When Andrew Hammond writes about Arab media, I read attentively — from Arab Media & Society:

Powered by vast petrodollar resources, thus began a concerted Saudi attempt to dominate the world of cable and satellite television media in the Arab world and steal the thunder of Egypt, once the leader of Arab media in the 1950s and 1960s with its Arab nationalist political ideology. Egypt’s once omnipotent “media of mobilization” (i‘lam ta‘bawi) gave way to Saudi Arabia’s “media of pacification”, or i‘lam tanwimi—a new soporific media of arguably far greater proportions and reach than anything Gamal Abdel-Nasser ever had, where entertainment helps put the political mind to sleep and politics is maintained within strict limits. If Abdel-Nasser wanted you fi-shari‘ (on the streets), Al Saud wants you fi-sala (in the living room).

[…]

In conclusion, Saudi Arabia has made an immense effort to control the flow of information in the Arab world and assure positive coverage of its politics and society, or often to assure no coverage at all. This effort has involved saturating the Arab viewer in Arab and Western entertainment in the form of dramas, quiz shows, comedies, films, and “soft religion” and only as much politics as is necessary. Saudi Arabia’s pan-Arab media empire promotes specific messages which present themselves as “liberal”, “reformist”, “moderate” and “modern”, but they are also conspicuously Washington-friendly and anti-al-Qa‘ida, Hizbullah, Iran or any other body presenting a challenge to the Pax Americana in the Arab world and the governments who form part of that constellation.

Much there about the al-Arabiya / Al Jazeera wars and more. And buy Andrew’s book on Arab pop culture and his new one on What the Arabs think of America too!

(Via Kafr al-Hanadwa)