Read it here
Read it here
Waltz with Bashir (2008) opens with a strange and powerful image: a pack of ferocious dogs running headlong through the streets of Tel Aviv, overturning tables and terrifying pedestrians, converging beneath a building’s window to growl at a man standing there. It turns out that this man, Boaz, is an old friend of Ari Folman, the film’s director and protagonist. Like Folman, he was a teenager in the Israeli army during its 1982 invasion of Lebanon. And the pack of menacing dogs is his recurring nightmare, a nightly vision he links to the many village guard dogs he shot — so they wouldn’t raise the alarm — as his platoon made its way through southern Lebanon.
The pack of growling dogs — animal Furies — is a striking embodiment of the violence of repressed memories, the fear and anger involved in confronting a shameful past. The rest of the film tries to answer the question posed by this opening nightmare — what memories is this former soldier, and by extension Israeli society, pursued by? What is he guilty of?
I think this is an extremely simplistic view of the film. In Egypt today, being “pro-normalization” has become a smear that is too often used for petty personal reasons, on the part of people whose own commitment to doing anything helpful for the Palestinians seems pretty thin. I fear that clinging to a dogmatic boycott of Israel allows one to avoid thinking about new, more efficient, creative ways of trying to support the Palestinian people (such as this rather inspiring venture). I’m not saying one should stop boycotting Israel–but it irks me to no end (as I think it irked Kamel) to have any debate over what normalization consists of or accomplishes shushed up by self-appointed guardians of the public debate. These guardians in Egypt often belong to the left, which unfortunately shows itself to be incapable of self-criticism and innovation, and as disrespectful of freedom of thought and expression as its antagonists.
In any case, the normalization controversy has dominated the discussion of the film, but it actually is not the only or even the main point of the story. The documentary should be available in the States in the Fall from the distributor Women Who Make Movies and you can reads tons of articles about it at the Salata Baladi blog.
Of course, the film has been deemed “controversial.” Imam, a Muslim, has been criticized for playing a Christian onscreen. The Al Ahram Hebdo reports that a few geniuses have started a Facebook group entitled “Call to Muslims: Boycott the Christian Adel Imam.”